Atıf İçin Kopyala
Hatami S., Mohammadzadeh M.
Kimiya-ye-Honar , cilt.12, sa.47, ss.41-55, 2023 (Hakemli Dergi)
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Yayın Türü:
Makale / Tam Makale
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Cilt numarası:
12
Sayı:
47
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Basım Tarihi:
2023
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Doi Numarası:
10.22034/12.47.41
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Dergi Adı:
Kimiya-ye-Honar
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Derginin Tarandığı İndeksler:
Other Indexes
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Sayfa Sayıları:
ss.41-55
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Atatürk Üniversitesi Adresli:
Hayır
Özet
Decoration
has a concept and meaning beyond adornment and physical appearance, and
to understand it, one must identify religious concepts and visual
codes. In all works of Islamic art and architecture, decorations have
always played an essential role in establishing a sense of unity and
sodality, and different visual measures have been used to induce this
sense. The Grivar inscription of the Davazdah Imam Mausoleum of Yazd is a
thousand-year-old unique inscription with a monotheistic theme placed
on an octagonal platform, which can be used as the basis for its
analysis. The present article has tried to uncover the visual and formal
measures implemented in this inscription using visual analysis, and it
seeks to answer the following questions: "Which visual and
representational measures has the designer used in the design of the
Grivar inscription of the Davazdah Imam Mausoleum of Yazd? How and to
what extent has it been used to instill a sense of unity?" In this
qualitative research, which was conducted using descriptive-analytical
method, and the data was collected through library studies and field
surveys. While reflecting on this building, the mentioned inscription,
which has been damaged over time, was recreated. Since the overall unity
lies in the components, while analyzing the overall structure, parts of
this long inscription were randomly selected for analysis. The results
of data analysis showed that following the identical form, especially in
the geometric and writing system, using small components in each
system, following the common linear structure, the space of the same
importance on the inscription, etc. are among the most significant
visual measures used with different quantities and qualities in the
inscription's design, which, as a whole, plays a role in inducing more
monotheistic themes by creating a desirable visual unity.