Avrupa Sanatında Temsili Nesneden Gerçek Nesneye Geçis

Thesis Type: Postgraduate

Institution Of The Thesis: Ataturk University, Güzel Sanatlar Enstitüsü, Resim Anasanat Dalı, Turkey

Approval Date: 2022

Thesis Language: Turkish

Student: Nilüfer Alsaran

Principal Supervisor (For Co-Supervisor Theses): Muhammet Tatar


The object, as the basic form that constitutes the essence of the formal world and strengthens the bond that people establish with the environment, takes place in art with its representation and real uses. While the representation of the object has found many figurative and symbolic meanings in the process from the cave paintings to the present, The use of the real object has ceased to be a representation in art and has brought art to a different dimension with the use of the original. By identifying the perception of the object with its imaginary position, new production styles have been created with different elements and interpretations in every art production. The use of the object in art in the changing social order has changed the perspective of the artists with their new searches. Artists have attributed new forms of expression to the object apart from its own meaning and function. The object began to be used on the surface during the Cubism period and created the first examples in art in its simple form. Objects that exist in the conceptual dimension with meanings and expressions attributed to their plain state, have revealed the re-existence of the object on the screen with digital data, first with the camera and then with the digital environment, in the contemporary period, with the effect of technology.