Examining the Script Style and Visual Arrangements of the Grivar Inscription in the Davazdah Imam Mausoleum of Yazd


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Hatami S., Khazaie M., Mohammadzadeh M.

Paykareh, cilt.12, sa.31, ss.1-17, 2023 (Hakemli Dergi)

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 12 Sayı: 31
  • Basım Tarihi: 2023
  • Doi Numarası: 10.22055/pyk.2023.42580.1350
  • Dergi Adı: Paykareh
  • Derginin Tarandığı İndeksler: EBSCO Education Source, Directory of Open Access Journals
  • Sayfa Sayıları: ss.1-17
  • Atatürk Üniversitesi Adresli: Evet

Özet

Problem Definition: The Davazdah Imam Mausoleum of Yazd is one of the oldest buildings with inscriptions in Iran. The Grivar inscription of this building is Ornamental Kufic, which, unlike the simple Kufic, does not follow specific rules, and many innovations and modifications are made in it. Despite the high visual richness, the mentioned inscription has been deprived of formal analysis, while any but structured changes of the letters, the acceptance of complex forms, and additional elements make it worthy of further analysis. The current research seeks to find the answer to the following question: "what are the structural, visual, and formal characteristics of the Davazdah Imam Mausoleum of Yazd, and what rules did the designer establish in its design?"
Objective: This research aimed at identifying the structural and visual features of the Grivar inscription, such as writing style, proportions, and principles used in its composition.
Research Method: The present research was carried out using a descriptive-analytical method, and the data was collected through library studies and field surveys.
Results: The results showed that distancing from the legibility of words, exaggerating the shape of letters and basic proportions, is a method to achieve beauty and induce concepts beyond the literal meaning. However, the application of formal changes does not only mean losing the order and rules of script, but the designer has established certain principles and policies under the changes, to where maintaining the independent identity of the letters has been one of the primary design criteria.