Şeyh Galib, who is not only the last great poet of Divan Poetry, and olsa has become an important source for the new Turkish poetry formed after the Tanzimat Period. The entry of this resource, which is valuable in the context in question, into the literary canon, which has just begun to form, is important. Şeyh Galib's understanding of poetry and the world of images, which we can include in the part of the canon created by the literary authorities rather than the ideological side, attracted the attention of the poets who came after him. The difficulties faced by the poets who grew up after the adoption of the Latin letters at the point of reaching such an important source prevented them from reading the Divan and Hüsn ü Aşk of Şeyh Galib directly. For this reason, poets have been able to reach Şeyh Galib's poems through quotations from him in rhetoric and rhetoric books, anthologies and compilations, and literary histories. Since Şeyh Galib is seen as a master of words, his poems also set an example for rhetoric, which is known as the science of eloquence. New poets were able to recognize Şeyh Galib with his poems in these books.

In this study, while the rhetoric and rhetoric books that include Şeyh Galib's poems in the literary canon were scanned, the books published after the Tanzimat period were evaluated. Thus, it has been determined which poems of Şeyh Galib can be read by the members of the new Turkish poetry. In addition, it is aimed to Şeyh Galib’s place in canon and reach the foresight of how his was received.