In history, ecological thinking comes from the life of primitive commune communities that do not act directly with art but form its core, in harmony with nature. In this respect, ecology, which aims to reconcile human beings with nature, also took its place in the history of civilization before it was called a science, and it was seen when the basic principles of ecology were not yet determined. The understanding of the process that evolves in nature has been gathered by Alfred North Whitehead under the headings of “Enjoyment,” “God-Relatedness,” “Incarnation,” “Creativity and Self-Determination,” “Creativity, Self-Expression,” and “Novelty.” When the thought of Whitehead, who explains the concept of the process with these doctrines, and ecological thought come together, the question of what are the artworks that propose an ecological approach through the process with the participation of other living things can be asked. Namely, the question of which artworks in the plastic arts can be adapted to both Whitehead’s theological process concept and ecological thought can be explored. In this context, the existence of a network of relations extending from ecological thought to Whitehead’s theological process thought and from there to works of art in the plastic arts can be examined.

Keywords: Alfred North Whitehead, ecological thinking, process philosophy, process theology